In contrast to its ethereal title, Ben Abraham’s Sirens is deeply human. The album is a kind of musical documentary of the loss, longing and growth that carried him from his very first lyric to this, his first long-player.

Abraham first found his voice when he found a part time job entertaining kids in a hospital. He began writing “a half song” about his role, which he played to a teenager suffering from anorexia, and encouraged her to write a second verse. When the song was finished and news got out, Abraham was asked to perform it at fundraisers. “That’s when I knew music really could be something: it didn’t have to be whatever I thought it was before.”

His parents previous careers as Indonesian folk-pop stars had an influence -
“They were huge in Asia! They had such strong harmonies and melodies, and cheesy, literal lyrics. They don’t do irony, but once you’ve surrendered, it’s quite beautiful. I write earnest lyrics too, but that’s where I was when I wrote these songs. And maybe people are responding because they want something honest and spiritual, because so much pop culture explores destruction.”

He recorded Sirens with two local friends, Jono Steer (who was his live mixer) and percussionist Leigh Fisher. A number of other Melbourne musicians joined in on sessions, including Gossling, whose angelic voice can be heard in the opening track. Gotye helped produce the haunting vocals on ‘Speak’, while “experimental electronic producer” Tim Shiel assisted on ‘This Is On Me’.

‘This Is On Me’, co-written/sung with Sara Bareilles, has its own story. “She’s a great singer and songwriter, but what connected me the most to her was her lack of pretence - she wrote this sprawling, personal biography for herself, as I’d also done, and she was trying to find way through on her own, like me. But how best to get her attention? So I posted a song ['To Sara, From Ben'] on You Tube.”

Bareilles’ fans began to Tweet the video and it grabbed her attention. When she played Melbourne, she invited Abraham up on stage (they co-sang a cover of Bruce Springsteen’s ‘I’m On Fire’), and an original co-write was subsequently born. ‘This Is On Me’ is a fictional tale of a couple “who both know their relationship is over, but both are taking responsibility for it.” By the time it was recorded, Abraham had split with his girlfriend: “The song became, word for word, a scarily accurate story of what actually happened.”

Abraham still plans to tour solo (on guitar, ukulele, piano and harmonium), as he ventures outside of Australia to seduce the world with his songs, stories and charm. The sirens are calling you his way….