Ecstatic, vital, and brilliantly unhinged, new age ragers Guerilla Toss promote positive energy and twisted spirituality through the less-traveled path of brutal, intelligent, live rock and roll dance music. Like a hurricane of healing bliss, a Guerilla Toss concert is more of a ritual than a performance. It is the unique pairing of musical voices and backgrounds that makes Guerilla Toss such a special party band. But they are more than that – GT gets real when you pay close attention. Their music is inspired by both tragedy and beauty, drug addiction/mental illness and the re-birth of the soul through spiritual practice and psychedelic drug healing - helping the listener overcome these mind-fuck hardships.

Following the release of the acclaimed ‘Flood Dosed’ EP in 2015, their first recordings for DFA Records (which cemented support from folks ranging from punk icon Henry Rollins to Busy P of Justice’s Ed Banger Records), Guerilla Toss are poised to release their new album ‘Eraser Stargazer’, due March 4th via DFA. Prior to that comes a new single ‘Diamond Girls’ that can be streamed today; a glorious three minute rhythmic post-punk rush that is both thrilling and jarring.

“Diamond Girls is about the desire to disconnect from the material properties of social interactions and boil it down to pure elemental form,” explains vocalist, Kassie Carlson. “It's about letting go of the bullshit to run away from smoke and mirrors.”

‘Eraser Stargazer’ was written and recorded in 6 weeks of winter isolation in upstate New York. Fans of the group will hear all of the beloved hallmarks of the Guerilla Toss sound - solid bass grooves, squealing guitars, and kitchen sink percussion. Each instrument now occupies its own part of the audio spectrum, with vocalist/poet Kassie Carlson’s spirited incantations brought into focus. Album centerpiece Grass Shack is a perfect example of this leaner, yet tougher Toss. It traverses nearly seven minutes of game-show-winner keyboard stabs, mutant funk basslines, and time signature changes - all grounded by Peter Negroponte’s virtuosic drumming.