Kopecky will release their new album ‘Drug for the Modern Age’ through ATO Records on 8th June. The record takes the many upheavals the band’s endured over the past few years and turns them into inspiration for groove-driven, melody-heavy alt-pop that’s intensely emotional and strangely exhilarating.

SPIN recently premiered album track ‘Quarterback’, declaring it a “melodic three-minute blast with piercing guitar riffs and an adrenaline-pumped chorus.” Click here for the SPIN premiere http://spin.com/articles/kopecky-drug-for-the-modern-age-album-quarterba...

Formerly known as the Kopecky Family Band, the Nashville-based group’s music has featured on a variety of television series including ‘Grey’s Anatomy’, ‘Parenthood’, ‘The Vampire Diaries’ and MTV’s ‘Awkward’ to name a few. The band has toured across the globe and played at some of the largest music festivals including Austin City Limits, Bumbershoot and Lollapalooza. This year they will be performing at SXSW.

‘Drug for the Modern Age’, Kopecky’s second album, explores such life-altering events as the sudden loss of a loved one, divorce and struggles with addiction, along with more joyful happenings like new love and marriage. “The album was written in this weird time of so much pain but also happiness and that really informed the writing and recording,” says vocalist/guitarist Gabe Simon, who co-founded the group with vocalist/keyboardist Kelsey Kopecky in 2007. “Our goal was to talk about all these very serious things we were dealing with, but in a way that felt nothing like wallowing and more like standing triumphantly or even dancing our way through it.”

In achieving that dynamic, Kopecky (whose lineup also includes guitarist Steven Holmes, bassist Corey Oxendine, cellist Markus Midkiff, and drummer David Krohn) offer moments of symphonic grandeur alongside edgy, electronic-leaning innovation. Meanwhile, their daringly intimate lyrics both unsettle and engage, asking questions and encouraging reflection on the part of the listener.

As on their 2012 debut ‘Kids Raising Kids’, Kopecky teamed up with Konrad Snyder, but this time around the band took a more slowed-down and deliberate approach. This allowed them to bring new level of sophistication and soulfulness to their songcraft.

‘Drug for the Modern Age’ serves up its share of intricately layered love songs as well, revealing Kopecky’s endless grace in merging sweetness and melancholy. In its quietly devastating narrative of sex and heartbreak, ‘Closed Doors’ is an epic breakup ballad built on dreamy guitar tones and sensually charged lyrics. A shimmering piece of dance-pop genius, ‘My Love’ sheds light on the ephemeral nature of romance on the road. And with its gritty guitar riffs and bombastic drumbeats, ‘Quarterback’ spins the slyly feel-good story of an underdog who misrepresents himself to get the girl before realising that, as Gabe explains, “he can love as good as anyone else and it doesn’t matter who he is.”