•    The ultimate, 25th anniversary reissue for a brilliant (Top 20 hit) pop album, featuring the hit singles: Duel, Dr. Mabuse and p:Machinery

•    Beautifully remastered from original master tapes for the finest sound quality

•    Bonus disc of rare and previously unreleased remixes, studio out-takes, Trevor Horn 12” mixes and the legendary 20-minute cassette mix of Duel

•    Expanded artwork includes 24-page booklet featuring extensive new liner notes and rare photos

•    Band members Claudia Brücken and Ralf Dörper are available for interview


1.    Dream Within A Dream
2.    The Murder Of Love
3.    Jewel
4.    Duel
5.    Frozen Faces
6.    p:Machinery
7.    Sorry For Laughing
8.    The Chase
9.    Dr. Mabuse
10.    Dream Within A Dream (analogue variation)
11.    Jewel (analogue variation)
12.    Duel (analogue variation)
13.    p:Machinery (analogue variation)
14.    Dr. Mabuse (First Life)
15.    The Last Word (Strength to Dream)

1.    Do Well (The First Cut / Duel / Jewel (Cut Rough)/Wonder/Bejewelled
2.    Testament One
3.    Die Tausend Augen Des Mabuse
4.    Sorry For Laughing (Unapolagetic 12”)
5.    Thought Part I
6.    Thought Part II
7.    p:Machinery (Goodnight 32)
8.    The Chase (the Goodnight Mix)
9.    (Echo of) Frozen Faces
10.    p:Machinery (p:Polish)
11.    Testament Three

Propaganda were a Düsseldorf band, and with hindsight you can see them as the halfway point between the city’s most famous sons Kraftwerk and the common European language of techno-pop that flourished in Ralf and Florian’s wake. But Propaganda were pipe-banging confrontationalists before they became a waking pop dream. Ralf Dörper, a bank employee, music writer and member of Düsseldorf industrial-electronic band Die Krupps, founded Propaganda with part-time DJ Andreas Thein and jeweller-goldsmith Susanne Freytag. None was a musician in the conventional sense but they made a demo version of ‘Discipline’ by Throbbing Gristle which found its way to NME writer Paul Morley, then in the process of setting up ZTT with Trevor Horn and Jill Sinclair.

When Propaganda entered Sarm Studios with Trevor Horn to record this album, they were inexperienced to the point that Brücken admits she did not even know that records were produced at all. Thein left the band shortly after their first sessions produced the astonishing ‘Dr Mabuse’, a ten-minute multi-version fantasia which transplanted the fictional criminal mastermind of the Weimar era into the present via, among other things, a proto-house bassline.

Horn discovered he had great facility with Propaganda’s mixture of the beautiful and the sinister, but by 1984 the ZTT machine was moving into high gear and Frankie Goes To Hollywood was beginning to consume all of his time. It was therefore decided that the Propaganda album would be produced by Horn’s engineer Steve Lipson and with Lipson at the controls A Secret Wish became perhaps ZTT’s best-realised album. “It’s some of the best stuff Steve ever did,” says Horn. “I always loved ‘Duel’, Claudia’s vocal on that is incredible, and the dark-side version ‘Jewel’ too. I loved that album and a lot of other, perhaps unexpected, people loved it too.” Quincy Jones called Horn, wanting to license A Secret Wish for America. Horn kept him on the phone for an hour talking about Jones’s work with Frank Sinatra. “And if you listen to Michael Jackson around that time,” Horn says, “He started to sound a lot like Propaganda. A lot of industrial sounds…”

A Secret Wish was released on vinyl and cassette in the summer of 1985. Compact disc was in its infancy and a few months later, when a CD edition of the album was slated, Lipson seized the opportunity to refine the album into something even more satisfying. Dream Within a Dream, Jewel and Dr. Mabuse were all completely reworked into cinemascope, with the latter two doubling in length. Frozen Faces was added and the album’s finale continued to transform. Throughout the original recording process, right up to pressing stage, the last track had been known as Testament. It was then renamed The Last Word (Strength to Dream). And then, on the CD edition, it was edited down into the closing stages of Dr. Mabuse.
All these different versions, plus a wealth of previously unheard alternative mixes, mutations and exploitations are included to ensure that this is the ultimate version of one of the most ambitious, accomplished and beautifully preserved albums of the mid-80s; a sound that, a quarter of a century on, remains as exciting and alluring as ever.